Modern Dance

My friend invited me to a modern dance performance at Dar al-Asad. We were in the company of artists, her boyfriend the sculptor, and his friends the theatre director and the actor. As soon as the lights went down and the show started, I knew I would need their help.

The four dancers, three of whom were wearing masks, appeared to have seizures. There was heavy breathing, and lot of rolling around on the floor moaning as well. Exciting. The music never varied much from an annoying repetition of sounds. Then, intermission and the realization that we were only half done. The second half features more rolling and moaning, with a DJ beatboxing in the background.

The director and "writer" were invited on stage for a discussion with the audience. We were here to be educated. The Dutch company held their collective noses in the air when an audience member asked if there had been a story or tale or something? The writer crossed and uncrossed his legs, and said, that while they do not aim for a story, yes, there was a simple story in the second piece, perhaps you recognized it... and trailed off.

"What was the story?" my boyfriend called from the balcony.
The writer sniffed and said that's for the audience to interpret. My boyfriend directed his question to the audience, "Okay, can anyone tell me what happened? What was that?"

The writer, clearly annoyed, said, "It was about a man and a woman who come together, make love, have a child, play with the child for a while, and then it leaves."

Which was not at all what seemed to be going on. I don't know what part of rolling around conveyed having a baby, or the sex, or the leaving, but whatever.

Several audience members self-congratulatingly asked about the "use of sound" and "diconnectedness of the body". The director was annoyed by repeated questions about whether having the dancers dance as if they were disabled was her signature. "I did not see their movements as disabled, but your interpretation is valid." Another person asked about the disabled movements and why the dancers moved like zombies. The director visibly grit her teeth to repeat that that was not her interpretation of the movements.

The play director with us, who was not impressed, said that he was sorry, but he felt like theatre and dance should connect with the audience and that the pieces lacked this, the audience didn't even understand the story. The director looked affronted and said she liked that the story in the second piece was unclear, she likes to challenge the audience, and some crap about disassociating the self and commenting upon the human condition. I felt bad for the translator, called upon to translate bullshit that doesn't mean anything to begin with.

An older woman in the audience apologized for being a "regular viewer, not a professional," but she wanted to know "where was the beauty?" You could see the director scoff to herself. THe question went unanswered.

A young woman in the first row, whose hand had been up eagerly for a while, was finally called on by her brother, the translator. She delivered an annoying speech about how the problem in this country is audiences come to shows expecting to see a story or see beauty, and so it's good for them to see something outside of their narrow expectations and tastes. Blah.

I wanted to ask, well, what's the fucking point? Why should some one have to be a "professional viewer" to appreciate some art? What's so wrong about wanting to see some beauty- I'm not a great dancer and I could have done most of the moves on that stage. I like to see dancers with skills. Shit, I'm great at rolling around. It's like the show is only put on for a select few to congratulate themselves on their enjoying what is too "high-art" for the masses, demonstrate this through questions on use of the voice in dance, and let the smugness between director, writer, and audience reverberate in the small theatre.

After we left I realized my wallet was no longer in my hand, and freaked. After searching the theatre, no luck. I gave the office my number and expected to never see my wallet again. My friends begged to differ and told stories of wallets left in servees, in stores, who knows where, and returned.

The next day during Capoeira, while running 45 minutes over, I heard my cell go off and left the roda to go answer. They found my wallet! I was admonished in front of the whole group for leaving, thereby taking energy from the group. Fuck that, people have lives. I left for Dar Al-Asad, and the office guy gave me my wallet. Check, make sure nothing's missing! he said. Not a lira gone.